杨永平 吴越五律《燕雀》 书法作品赏析
<!----><style type="text/css">html{font-size:375%}</style><link href="https://pics-app.cnyw.net/static/publish/css/style.css?v=20240712" rel="stylesheet" position="1" data-qf-origin="/static/publish/css/style.css?v=20240712"><!-- 付费贴--> <div class="preview_article "> <!----> <p class="empty_paragraph"> </p><p class="qf_image big noneditable" contenteditable="false"><img src="https://pics-app.cnyw.net/forum/20260614182611front2_0_442551_FqpK3I3GxzxsQCVn9jCBGH7rbTQh.jpg?watermark/1/image/aHR0cDovL3BpY3MtYXBwLmNueXcubmV0L18yMDE5MDQyNTA5MTYwMF81Y2MxMGE1MDc5ZjY2LnBuZw==/dissolve/100/gravity/SouthEast" alt="" width="590" height="908" data-qf-origin="forum/20260614182611front2_0_442551_FqpK3I3GxzxsQCVn9jCBGH7rbTQh.jpg?watermark/1/image/aHR0cDovL3BpY3MtYXBwLmNueXcubmV0L18yMDE5MDQyNTA5MTYwMF81Y2MxMGE1MDc5ZjY2LnBuZw==/dissolve/100/gravity/SouthEast" data-qf-thumb="https://pics-app.cnyw.net/forum/20260614182611front2_0_442551_FqpK3I3GxzxsQCVn9jCBGH7rbTQh.jpg?imageView2/2/w/1080|watermark/1/image/aHR0cDovL3BpY3MtYXBwLmNueXcubmV0L18yMDE5MDQyNTA5MTYwMF81Y2MxMGE1MDc5ZjY2LnBuZw==/dissolve/100/gravity/SouthEast" data-qf-thumb-origin="forum/20260614182611front2_0_442551_FqpK3I3GxzxsQCVn9jCBGH7rbTQh.jpg?imageView2/2/w/1080|watermark/1/image/aHR0cDovL3BpY3MtYXBwLmNueXcubmV0L18yMDE5MDQyNTA5MTYwMF81Y2MxMGE1MDc5ZjY2LnBuZw==/dissolve/100/gravity/SouthEast" /></p><p> 我本人非常喜欢吴越先生创作的《燕雀》，也非常喜欢杨永平先生书 吴越的《燕雀》。此幅书法作品以行草笔法书写七言律诗，整体呈现出"以意驭笔、气韵贯通"的艺术特质。从技法层面分析：</p><p>笔法系统：起笔多采用侧锋切如"托""梁"二字露锋入纸，形成爽利的视觉节奏；行笔中提按转折富有变化，"街枝上"三字连笔处运用"屋漏痕"式涩笔，既保持线条张力又显自然生涩。收处"寄""烟"等字的出锋短促有力，避免了刻意的飞扬，体现出"留得住笔"的传统功力。</p><p>结体特征：单字结构呈现"中宫紧收、**开张"的特点，如"依"字左收右放，"野"字上紧下松，符合行草"疏密有致"的结字原则。字群组合形成明显的开合对比，首行"托迹梁檐下"呈横向舒展态势，末行"浮生始有寄"则纵向收紧，通过空间节奏变化强化诗意的跌宕感。</p><p>章法布局：采用"纵有行、横无列"的经典布局，行距宽于字距形成透气感。整幅作品呈右上倾斜的势态，首字"托"与末字"寄"形成微妙的呼应关系，暗合"起承转合"的传统章法要求。落款"岁在丙午夏月××书"与正文保持约1:3的比例关系，钤印位置精准，形成"正文-落款-钤印"三位一体的完整视觉结构。</p><p>墨法层次：通过浓淡枯润的变化增强节奏感，"街枝上紫惯"五字墨色饱满，与"禾不慕扶摇"的飞白形成对比，尤其"摇"字末笔枯涩中见力度，体现"重若崩云、轻如蝉翼"的墨法追求。</p><p>风格溯源：作品整体可见米芾"刷字"的爽利笔意，如"野柯闲"的侧锋取势；又融入王铎的涨墨技法，"安居巷"三字墨色晕化自然。在传统帖学基础上，作者有意识地强化了笔画间的呼应关系，使整幅作品气脉贯通，展现出对"屋漏痕""折钗股"等经典笔法的深刻理解与个性化演绎。</p><p>意境表达：书法内容为隐逸题材的七言诗，笔法的萧散与结体的开张恰如其分地诠释了"不慕扶摇"的诗意内涵，达到了"书为心画、诗为心声"的艺术境界。整体而言，此作在传统法度与个性表达间取得平衡，是一件兼具技法功底与文人意趣的行草佳作。</p> <!----></div> 欣赏评论佳作超赞:victory::victory::victory::victory::victory::victory::victory::victory: https://pics-app.cnyw.net/admin_FsbLrH4XpF1aok8fg1u_Me6G4sVj.png送出团圆月x1 https://pics-app.cnyw.net/admin_FsbLrH4XpF1aok8fg1u_Me6G4sVj.png送出团圆月x1 https://pics-app.cnyw.net/admin_FsbLrH4XpF1aok8fg1u_Me6G4sVj.png送出团圆月x1 感谢胡哥真情相酬:handshake :):):):):)
页:
[1]